نویسندگان:

بهناز السادات ورادی اصفهانی¹ ، امیرحسین بانکی پور فرد² ، صفورا ترک لادانی³ .

¹دانشگاه اصفهان، دانشکده ادبیات ، گروه معارف اهل بیت

²دانشگاه اصفهان، دانشکده ادبیات ، گروه معارف اهل بیت

³دانشگاه اصفهان - دانشکده زبان های خارجی - گروه فرانسه

چکیده فارسی: چکیده
پاک‌دامنی دلالت بر نوعی بازدارندگی یا بازداشتن نفس از تمایلات افراطی و غیرحلال دارد و از جمله فضائل اخلاقی فطری، فرازمان و فرامکانی است که در طول تاریخ بشر همواره برای زنان به عنوان یک فضیلت محسوب شده و مسیر کمال و سعادت را برای آن‌ها هموار کرده است. پژوهش حاضر با هدف بازنمایی پاک‌دامنی در ادبیات قرن هفدهم فرانسه و به‌طور مشخص رمان پرنسس کلو، در چارچوب رویکرد کیفی پژوهش و با استفاده از روش تحلیل مضمون به انجام رسیده است. تحلیل داده‌ها با استفاده از رویکرد شبکه مضامین و در یک فرایند شش مرحله‌ی شامل استخراج مفاهیم اولیه، مضامین پایه، سازمان‌دهنده و فراگیر، ترسیم شبکه مضامین و تفسیر آن‌ها انجام شد. یافته‌های پژوهش بیانگر این است که مفهوم پاک‌دامنی زنان در رمان پرنسس کلو پیرامون پنج مضمون سازمان‌دهنده شامل شخصیت خودمهارگر، تربیت عفت‌مدارانه مادری، پارسامنشی، تکلیف‌مداری و فاصله‌گیری و مضمون فراگیر «پاک‌دامنی به‌مثابه وظیفه‌مداری» بازنمایی شده است. در واقع بن‌مایه اصلی عفت و پاک‌دامنی در این رمان تعهد، تکلیف و وظیفه نسبت به خود و دیگری است و الگوی معنایی آن پیرامون این مفهوم و شبکه مضامین مرتبط با آن صورت‌بندی شده است.
واژگان کلیدی: پاک‌دامنی، زنان، بازنمایی، فرانسه، پرنسس کلو، وظیفه‌‌مداری

کلمات کلیدی: زنان ، بازنمایی ، فرانسه ، پاکدامنی ، وظیفه مداری ، پرنسس کلو .

Presentation of chastity of women in 17th century French literature ( the subject of study : the novel Princess Cleves)

English Abstract: Chastity is among the moral virtues rooted in human nature, which has historically served as a source of perfection and flourishing for women across various societies. Focusing on 17th-century French literature and the novel La Princesse de Clèves as one of the most significant literary works reflecting the culture of French society in that century, specifically, a narrative centrally concerned with the theme of female chastity and the mechanisms and strategies for its preservation, this study seeks to examine the representation of the concept of chastity in this work. This research was conducted within a qualitative framework, utilizing thematic analysis as its method. The domain of the study is 17th-century French literature, specifically the novel La Princesse de Clèves by Madame de Lafayette. To validate the processes of data collection and analysis, as well as the obtained results, conventional validation approaches for qualitative research appropriate to the current study were employed, including the use of an external auditor and thick description. The findings of the research indicate that the concept of female chastity in La Princesse de Clèves is represented around five organizing themes, including self-restraining character, chastity-oriented maternal upbringing, pious disposition, duty-bound orientation, and distancing. These are encompassed by the overarching theme of "Chastity as Duty-Boundness." In essence, the core theme of chastity in this novel is commitment, duty, and obligation towards oneself and the other, and its semantic pattern is formulated around this concept and its associated network of themes. Duty-boundness signifies an individual's duty, commitment, and responsibility towards oneself and others. Here, too, in relation to the story's main character as the unit of analysis, the defining principle of chastity and the strategies for its preservation revolve around duty and obligation towards oneself and the other (spouse). From this perspective, chastity is viewed as a duty and obligation that an individual has towards themselves, others, and society. In this novel, we encounter two forms of duty [towards self and towards other] in relation to chastity. Duty towards oneself encompasses themes such as self-restraining character and pious disposition. Duty towards the other encompasses the theme of distancing. In reality, an individual, first in line with the duty and obligation they have towards themselves, cultivates a type of character whose prominent feature is self-restraint—or, in other words, the control of carnal desires—and also adopts a pious disposition in their personal and social life. Both themes express a type of obligation towards the self. An obligation or duty that places the individual on the path of chastity. This also holds true for duty and obligation towards the other. The main character of the novel feels a sense of duty towards preserving social honor and, simultaneously, feels a duty-bound commitment towards her previous marital life, which again has a socio-discursive nature. Based on this, she deems it her duty to define, at a more social level, the same strategies she had defined for herself in a state of self-imposed obligation, in order to preserve chastity. She adopts strategies such as withdrawal, interaction based on passivity, and engagement based on reason to maintain chastity with others.judicial intervention. In conclusion, the article underscores the urgent need for comprehensive review and reform of Iran’s family laws. Such reform should encompass: re-conceptualizing the nature of the marriage contract beyond transactional frameworks; revising provisions related to the wife’s right to withhold marital duties (ḥaqq al-ḥabs); aligning legislation with contemporary socio-cultural transformations in family life; and promoting non-judicial mechanisms for dispute resolution. The ultimate goal of these reforms is to enhance family resilience, protect the institution of the family from structural erosion, and mitigate the weakening effects of the current legal framework on familial stability.